Notes on the Sleep No More May Fair party: it was actually rather debaucherous, but it started out with some tame spring may pole dancing. Apparently I can be recognized by strangers from my blog (flattered!) for reasons besides cemetery exploring. Interesting and wonderful to feel the internet come to life. The first party I’ve been to that had a sod dance floor. Did get weirded out by the guy who passed out on me and then turned out to be acting. Not sure if I want to do a full out recap, but let me encourage you to spend a decadent evening at the McKittrick for their next holiday, although wear something you don’t mind getting (fake) blood on. 

Notes on the Sleep No More May Fair party: it was actually rather debaucherous, but it started out with some tame spring may pole dancing. Apparently I can be recognized by strangers from my blog (flattered!) for reasons besides cemetery exploring. Interesting and wonderful to feel the internet come to life. The first party I’ve been to that had a sod dance floor. Did get weirded out by the guy who passed out on me and then turned out to be acting. Not sure if I want to do a full out recap, but let me encourage you to spend a decadent evening at the McKittrick for their next holiday, although wear something you don’t mind getting (fake) blood on. 

So tonight is the Sleep No More May Fair bacchanalia. Will I see you there? Please someone dress as an albino satyr.
(Photo is obviously not of me, although how would you know? But I’ll be there in white with black roses.)

So tonight is the Sleep No More May Fair bacchanalia. Will I see you there? Please someone dress as an albino satyr.

(Photo is obviously not of me, although how would you know? But I’ll be there in white with black roses.)

In honor of Sleep No More’s 500 performances, although I am not invited to the super special awards ceremony, I would like to give this goat trophy to all the boy witches, whose shoes I all put on the wrong feet. (Sorry.)
(Trophy is in online image form only, unless you’re the type of crazy who would spend $46 on a goat trophy. Which 4-H people must do.)
Until May Fair! And may you continue onward Sleep No More with your tantalizing nightmares.

In honor of Sleep No More’s 500 performances, although I am not invited to the super special awards ceremony, I would like to give this goat trophy to all the boy witches, whose shoes I all put on the wrong feet. (Sorry.)

(Trophy is in online image form only, unless you’re the type of crazy who would spend $46 on a goat trophy. Which 4-H people must do.)

Until May Fair! And may you continue onward Sleep No More with your tantalizing nightmares.

the-procastination-station:

when the cold of the day moves over and the warmth of the night moves in there’s a howling that sticks beneath my skin… 

This is the third time I’ve seen one of my Hipstamatic photos pop up on Sleep No More posts. I’m flattered, but curious where they are coming from. Maybe I am just wildly popular. 

the-procastination-station:

when the cold of the day moves over 
and the warmth of the night moves in 
there’s a howling that sticks beneath my skin… 

This is the third time I’ve seen one of my Hipstamatic photos pop up on Sleep No More posts. I’m flattered, but curious where they are coming from. Maybe I am just wildly popular. 

I love the subtle twisting of Shakespeare’s lines into Hecate’s Sleep No More letter. 
“Give sorrow words: the grief that does not speakWhispers the o’er-fraught heart, and bids it break.”

I love the subtle twisting of Shakespeare’s lines into Hecate’s Sleep No More letter. 

“Give sorrow words: the grief that does not speak
Whispers the o’er-fraught heart, and bids it break.”

(Source: franceskoncan)

when-strange-becomes-normal:

Special event for the 24th revealed: The McKittrick May Fair (guests are encouraged to dress in white…probably to better see the blood spatters). As the invite says, “Come, let me clutch thee.”

C’est quoi ces conneries??? I think I’ll attend the after party.

when-strange-becomes-normal:

Special event for the 24th revealed: The McKittrick May Fair (guests are encouraged to dress in white…probably to better see the blood spatters). As the invite says, “Come, let me clutch thee.”

C’est quoi ces conneries??? I think I’ll attend the after party.

bendemolina:

So I guess I’m drawing Sleep No More fanart now.  This has been sitting in my brain for a little while anyway, so it’s nice to be drawing again.  (Guess who!  Also yes this needs tons of work.  It’s nowhere near finished.)
Oh god I have a mini-fanfiction thing going on in the margins for this too.  Am I a total creeper yet?  At what point does that happen?

This solves my idle wondering of if there was Sleep No More fan fiction/art that was of the kind you find with other theatre obsessions (i.e., not involving steampunk dinosaurs). Although since it’s an experience where you are right in the actors faces and they pretty much all make out with each other, the need for online slashing of characters seems unnecessary. Hey, I can’t help but think of these things, having spent way too many of my teen years in the frustrated Les Miserables fandom. 

bendemolina:

So I guess I’m drawing Sleep No More fanart now.  This has been sitting in my brain for a little while anyway, so it’s nice to be drawing again.  (Guess who!  Also yes this needs tons of work.  It’s nowhere near finished.)

Oh god I have a mini-fanfiction thing going on in the margins for this too.  Am I a total creeper yet?  At what point does that happen?

This solves my idle wondering of if there was Sleep No More fan fiction/art that was of the kind you find with other theatre obsessions (i.e., not involving steampunk dinosaurs). Although since it’s an experience where you are right in the actors faces and they pretty much all make out with each other, the need for online slashing of characters seems unnecessary. Hey, I can’t help but think of these things, having spent way too many of my teen years in the frustrated Les Miserables fandom. 

(via scorchedthesnake)

I suppose I should post a few words on the Sleep No More Remixed performance last night, although honestly my mind is mostly trying to wrap itself around the fact I’m flying to London tomorrow, which also impacted my mental state for last night’s show. I also spent way too many hours in a real cemetery over the weekend doing some research for the tour I’m giving soon… but I digress.
For those who read this tumblr for the literary posts or are real life friends who I haven’t harassed with this information: Sleep No More is the immersive theatrical performance currently running in New York based on Macbeth. The Remixed performance last night was a special event only for returning “guests” (you see, the venue is called the “McKittrick Hotel” so you’re a guest rather than an audience member). 
My expectations were middling for Remixed and I distinctly remember saying to the friend I was meeting there that they “would probably just change the soundtrack.” I mean, these are performers and staff who just did a double Saturday show, and they have to get ready for the following day, so learning new tracks or making complicated changes to the set would have been impossible. So it wasn’t too surprising when I heard “November Rain” suddenly playing from the ballroom. This just happened to coincide with the first time I’d ever decided to see what the Mrs. Danvers character does, which is not go to the ballroom with the rest of the characters, so I’m not sure what the reaction was to the sudden strains of Axl Rose’s voice over the ominous scene.
The night continued with 80s or recent film music replacing the usual swells of 40s and 50s jazz and Hitchcock soundtracks. Some of this was highly enjoyable, including the Boy Witch’s “Diamonds are Forever” and “Cool” in the Boy Witch’s speakeasy freak out. (I promise I did more than just follow the Boy Witch, those are just what stand out to me.) Other choices were odder and seemed a little too out there, like the Jurassic Park theme when the nurses meet in the woods, or R. Kelly’s “Bump N Grind” between the Speakeasy Bartender and the Sexy Witch (yes, really). 
The other changes in the evening involved the cast, with different dancers rotating into the parts. I only saw the Hecate transformation, where she basically went in the door of her secret room and came out as a different person. (I usually hate the hanging-out-in-front-of-Hecate’s-room crowd, but I got a bit trapped in a corner at this point.) This was great, as one of the things I love about Sleep No More and what makes it a continued draw is the way different people inhabit the same spirits of the characters.
Since they were getting everyone into the hotel quickly, there was a crowd right from the start that didn’t let up. I’ve been enough times that I didn’t feel the need to fight the crowd, so instead I was just a background lurker, peering around corners or watching from the balcony. I actually did move around more than usual, though, as I was curious about the music changes. Usually I follow the Taxidermist, Porter, or Boy Witch because I like the tortured types. I did take a break in the Manderlay Bar, though, as my knees are still not what they used to be, and there was a great solo vocal performance by one of the sultry male hosts.
I’ve read some reactions this morning about the unruliness of the crowd, which I saw some of. To the people dancing in the middle of the ballroom scene: it’s not about you…. And the desperation for contact with the actors, through the 1-on-1’s or even just a brief touch was a bit distasteful. Again, it’s not about you. I’ve always viewed the Sleep No More experience as being a ghost to these people who are trapped in the most horrible moments of their lives. You’re haunting them, you are a brief specter appearing for the evening and these things will happen the next night, and happened the night before, without you at the center of them. Yes, it’s wonderful when you have those personal moments and I know that they’ve definitely cemented my love for the show, but it’s not the reason for going.
Oh wait, did I say a “few words”? You know that brevity is not my strength. But I wanted to write something, as I’ve posted on my blog about Sleep No More somewhat extensively and know some people were asking about my reaction. For the record, this was visit number nine, and ten is already booked for May. I may be finished after that. Every time I go I’m hoping for a little of the same thrill of the first visit back in April 2011, of the unknowable, and while there are glimmers of discovery each time, I know I won’t have that experience again. Perhaps much of the disappointment of last night’s crowd, all returning guests, was that we as a collective are all seeking that surprise that has been lost, that pound of our hearts when we first first walked through the dark tunnel to the Manderlay not knowing what to expect and that shock of losing ourselves in this dark world. 

I suppose I should post a few words on the Sleep No More Remixed performance last night, although honestly my mind is mostly trying to wrap itself around the fact I’m flying to London tomorrow, which also impacted my mental state for last night’s show. I also spent way too many hours in a real cemetery over the weekend doing some research for the tour I’m giving soon… but I digress.

For those who read this tumblr for the literary posts or are real life friends who I haven’t harassed with this information: Sleep No More is the immersive theatrical performance currently running in New York based on Macbeth. The Remixed performance last night was a special event only for returning “guests” (you see, the venue is called the “McKittrick Hotel” so you’re a guest rather than an audience member). 

My expectations were middling for Remixed and I distinctly remember saying to the friend I was meeting there that they “would probably just change the soundtrack.” I mean, these are performers and staff who just did a double Saturday show, and they have to get ready for the following day, so learning new tracks or making complicated changes to the set would have been impossible. So it wasn’t too surprising when I heard “November Rain” suddenly playing from the ballroom. This just happened to coincide with the first time I’d ever decided to see what the Mrs. Danvers character does, which is not go to the ballroom with the rest of the characters, so I’m not sure what the reaction was to the sudden strains of Axl Rose’s voice over the ominous scene.

The night continued with 80s or recent film music replacing the usual swells of 40s and 50s jazz and Hitchcock soundtracks. Some of this was highly enjoyable, including the Boy Witch’s “Diamonds are Forever” and “Cool” in the Boy Witch’s speakeasy freak out. (I promise I did more than just follow the Boy Witch, those are just what stand out to me.) Other choices were odder and seemed a little too out there, like the Jurassic Park theme when the nurses meet in the woods, or R. Kelly’s “Bump N Grind” between the Speakeasy Bartender and the Sexy Witch (yes, really). 

The other changes in the evening involved the cast, with different dancers rotating into the parts. I only saw the Hecate transformation, where she basically went in the door of her secret room and came out as a different person. (I usually hate the hanging-out-in-front-of-Hecate’s-room crowd, but I got a bit trapped in a corner at this point.) This was great, as one of the things I love about Sleep No More and what makes it a continued draw is the way different people inhabit the same spirits of the characters.

Since they were getting everyone into the hotel quickly, there was a crowd right from the start that didn’t let up. I’ve been enough times that I didn’t feel the need to fight the crowd, so instead I was just a background lurker, peering around corners or watching from the balcony. I actually did move around more than usual, though, as I was curious about the music changes. Usually I follow the Taxidermist, Porter, or Boy Witch because I like the tortured types. I did take a break in the Manderlay Bar, though, as my knees are still not what they used to be, and there was a great solo vocal performance by one of the sultry male hosts.

I’ve read some reactions this morning about the unruliness of the crowd, which I saw some of. To the people dancing in the middle of the ballroom scene: it’s not about you…. And the desperation for contact with the actors, through the 1-on-1’s or even just a brief touch was a bit distasteful. Again, it’s not about you. I’ve always viewed the Sleep No More experience as being a ghost to these people who are trapped in the most horrible moments of their lives. You’re haunting them, you are a brief specter appearing for the evening and these things will happen the next night, and happened the night before, without you at the center of them. Yes, it’s wonderful when you have those personal moments and I know that they’ve definitely cemented my love for the show, but it’s not the reason for going.

Oh wait, did I say a “few words”? You know that brevity is not my strength. But I wanted to write something, as I’ve posted on my blog about Sleep No More somewhat extensively and know some people were asking about my reaction. For the record, this was visit number nine, and ten is already booked for May. I may be finished after that. Every time I go I’m hoping for a little of the same thrill of the first visit back in April 2011, of the unknowable, and while there are glimmers of discovery each time, I know I won’t have that experience again. Perhaps much of the disappointment of last night’s crowd, all returning guests, was that we as a collective are all seeking that surprise that has been lost, that pound of our hearts when we first first walked through the dark tunnel to the Manderlay not knowing what to expect and that shock of losing ourselves in this dark world. 

iamimitation:

Surprise Surprise, I wonder what’s inside?

OH OKAY I’LL GO. Sleep No More, you charming strumpet. 

iamimitation:

Surprise Surprise, I wonder what’s inside?

OH OKAY I’LL GO. Sleep No More, you charming strumpet. 

Ink Maps | Literary Wanderings

Here are relics of words and literature, found in the small library of my Brooklyn apartment or out in the wonderful world. With some forays into other obsessions.


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